Home
Coursework
EYV 5 Viewpoint
EYV 5 Exercise 5.3
EYV 5 Exercise 5.2
EYV 5 Exercise 5.1
EYV 4 The language of light
EYV 4 Exercise 4.5
EYV 4 Exercise 4.4
EYV 4 Exercise 4.3
EYV 4 Exercise 4.2
EYV 4 Exercise 4.1
EYV 3 Traces of time
EYV 3 Decisive Moment debate
EYV 3 research point
EYV 3 Exercise 3.3
EYV 3 Exercise 3.2
EYV 3 Exercise 3.1
EYV 2 Imaginative spaces
EYV 2 research point
EYV 2 Exercise 2.7
EYV 2 Exercise 2.6
EYV 2 Exercise 2.5
EYV 2 Exercise 2.4
EYV 2 Exercise 2.3
EYV 2 Exercise 2.2
EYV 2 Exercise 2.1
EYV 1 From that moment onwards
EYV 1 research point
EYV 1 exercise 1.4
EYV 1 exercise 1.3
EYV 1 exercise 1.2
EYV 1 exercise 1.1
Assignments
EYV 5 Photography is simple
EYV 5 Photography is simple assignment
EYV 5 Photography is simple contact sheets
EYV 5 Photography is simple tutor feedback
EYV 4 Languages of light
EYV 4 Languages of light assignment
EYV 4 Languages of light contact sheets
EYV 4 Languages of light tutor feedback
EYV 3 The decisive moment
EYV 3 The decisive moment assignment
EYV 3 The decisive moment contact sheets
EYV 3 The decisive moment tutor feedback
EVY 2 Collecting
EYV 2 Collecting assignment
EYV 2 Collecting contact sheets
EYV 2 Collecting tutor feedback
EYV 1 Square mile
EYV 1 Square mile assignment
EYV 1 Square mile contact sheets
EYV 1 Square mile tutor feedback
Learning log
Publications and exhibitions
2018 Deutsche Börse Prize exhibition
Charlotte Cotton: The Photograph as Contemporary Art
Stephen Shore: The Nature of Photographs
Tides: Photographing the seafront
Photographers and their work
Sally Mann: At Twelve/Immediate Family
Stephen Gill: Hackney Wick
Eddo Hartmann: North Korea (2014–17)
Henri Cartier-Bresson: L’amour tout court
Tony Ray-Jones (1941–1972)
Eadweard Muybridge: the first movie (1878)
Thomas Ruff: the JPEGS debate
Light & shade: Trent Parke & Brian Griffin
Composition: Alexander Rodchenko (1930)
Theory and reflection
Reflection on my progress through EYV
Working up to the EYV 5 assignment
Homages from my archive
Considering contexts
Lessons from Sally Mann’s landscapes
My view of the Decisive Moment debate
Does B&W always reference the past?
The strange world of long exposures
Technical
Lightroom CC image editing tutorials
Focal points can differ in B&W vs colour
Experimenting with colour adjustments
The power of colour to evoke an era
Photographing the moon
A new perspective on deep depth of field
B&W can look more interesting than life
The path of the eye through an image
About me
Home
Coursework
EYV 5 Viewpoint
EYV 5 Exercise 5.3
EYV 5 Exercise 5.2
EYV 5 Exercise 5.1
EYV 4 The language of light
EYV 4 Exercise 4.5
EYV 4 Exercise 4.4
EYV 4 Exercise 4.3
EYV 4 Exercise 4.2
EYV 4 Exercise 4.1
EYV 3 Traces of time
EYV 3 Decisive Moment debate
EYV 3 research point
EYV 3 Exercise 3.3
EYV 3 Exercise 3.2
EYV 3 Exercise 3.1
EYV 2 Imaginative spaces
EYV 2 research point
EYV 2 Exercise 2.7
EYV 2 Exercise 2.6
EYV 2 Exercise 2.5
EYV 2 Exercise 2.4
EYV 2 Exercise 2.3
EYV 2 Exercise 2.2
EYV 2 Exercise 2.1
EYV 1 From that moment onwards
EYV 1 research point
EYV 1 exercise 1.4
EYV 1 exercise 1.3
EYV 1 exercise 1.2
EYV 1 exercise 1.1
Assignments
EYV 5 Photography is simple
EYV 5 Photography is simple assignment
EYV 5 Photography is simple contact sheets
EYV 5 Photography is simple tutor feedback
EYV 4 Languages of light
EYV 4 Languages of light assignment
EYV 4 Languages of light contact sheets
EYV 4 Languages of light tutor feedback
EYV 3 The decisive moment
EYV 3 The decisive moment assignment
EYV 3 The decisive moment contact sheets
EYV 3 The decisive moment tutor feedback
EVY 2 Collecting
EYV 2 Collecting assignment
EYV 2 Collecting contact sheets
EYV 2 Collecting tutor feedback
EYV 1 Square mile
EYV 1 Square mile assignment
EYV 1 Square mile contact sheets
EYV 1 Square mile tutor feedback
Learning log
Publications and exhibitions
2018 Deutsche Börse Prize exhibition
Charlotte Cotton: The Photograph as Contemporary Art
Stephen Shore: The Nature of Photographs
Tides: Photographing the seafront
Photographers and their work
Sally Mann: At Twelve/Immediate Family
Stephen Gill: Hackney Wick
Eddo Hartmann: North Korea (2014–17)
Henri Cartier-Bresson: L’amour tout court
Tony Ray-Jones (1941–1972)
Eadweard Muybridge: the first movie (1878)
Thomas Ruff: the JPEGS debate
Light & shade: Trent Parke & Brian Griffin
Composition: Alexander Rodchenko (1930)
Theory and reflection
Reflection on my progress through EYV
Working up to the EYV 5 assignment
Homages from my archive
Considering contexts
Lessons from Sally Mann’s landscapes
My view of the Decisive Moment debate
Does B&W always reference the past?
The strange world of long exposures
Technical
Lightroom CC image editing tutorials
Focal points can differ in B&W vs colour
Experimenting with colour adjustments
The power of colour to evoke an era
Photographing the moon
A new perspective on deep depth of field
B&W can look more interesting than life
The path of the eye through an image
About me
Reflection on my progress through EYV
21 April 2018
Working up to the EYV 5 assignment
09 April 2018
Homages from my archive
30 March 2018
Considering contexts
28 March 2018
Lessons from Sally Mann’s landscapes
05 March 2018
My view of the Decisive Moment debate
09 February 2018
Does B&W always reference the past?
08 February 2018
The strange world of long exposures
06 February 2018
Reflection on my progress through EYV
21 April 2018
Working up to the EYV 5 assignment
09 April 2018
Homages from my archive
30 March 2018
Considering contexts
28 March 2018
Lessons from Sally Mann’s landscapes
05 March 2018
My view of the Decisive Moment debate
09 February 2018
Does B&W always reference the past?
08 February 2018
The strange world of long exposures
06 February 2018