Home
Coursework
EYV 5 Viewpoint
EYV 5 Exercise 5.3
EYV 5 Exercise 5.2
EYV 5 Exercise 5.1
EYV 4 The language of light
EYV 4 Exercise 4.5
EYV 4 Exercise 4.4
EYV 4 Exercise 4.3
EYV 4 Exercise 4.2
EYV 4 Exercise 4.1
EYV 3 Traces of time
EYV 3 Decisive Moment debate
EYV 3 research point
EYV 3 Exercise 3.3
EYV 3 Exercise 3.2
EYV 3 Exercise 3.1
EYV 2 Imaginative spaces
EYV 2 research point
EYV 2 Exercise 2.7
EYV 2 Exercise 2.6
EYV 2 Exercise 2.5
EYV 2 Exercise 2.4
EYV 2 Exercise 2.3
EYV 2 Exercise 2.2
EYV 2 Exercise 2.1
EYV 1 From that moment onwards
EYV 1 research point
EYV 1 exercise 1.4
EYV 1 exercise 1.3
EYV 1 exercise 1.2
EYV 1 exercise 1.1
Assignments
EYV 5 Photography is simple
EYV 5 Photography is simple assignment
EYV 5 Photography is simple contact sheets
EYV 5 Photography is simple tutor feedback
EYV 4 Languages of light
EYV 4 Languages of light assignment
EYV 4 Languages of light contact sheets
EYV 4 Languages of light tutor feedback
EYV 3 The decisive moment
EYV 3 The decisive moment assignment
EYV 3 The decisive moment contact sheets
EYV 3 The decisive moment tutor feedback
EVY 2 Collecting
EYV 2 Collecting assignment
EYV 2 Collecting contact sheets
EYV 2 Collecting tutor feedback
EYV 1 Square mile
EYV 1 Square mile assignment
EYV 1 Square mile contact sheets
EYV 1 Square mile tutor feedback
Learning log
Publications and exhibitions
2018 Deutsche Börse Prize exhibition
Charlotte Cotton: The Photograph as Contemporary Art
Stephen Shore: The Nature of Photographs
Tides: Photographing the seafront
Photographers and their work
Sally Mann: At Twelve/Immediate Family
Stephen Gill: Hackney Wick
Eddo Hartmann: North Korea (2014–17)
Henri Cartier-Bresson: L’amour tout court
Tony Ray-Jones (1941–1972)
Eadweard Muybridge: the first movie (1878)
Thomas Ruff: the JPEGS debate
Light & shade: Trent Parke & Brian Griffin
Composition: Alexander Rodchenko (1930)
Theory and reflection
Reflection on my progress through EYV
Working up to the EYV 5 assignment
Homages from my archive
Considering contexts
Lessons from Sally Mann’s landscapes
My view of the Decisive Moment debate
Does B&W always reference the past?
The strange world of long exposures
Technical
Lightroom CC image editing tutorials
Focal points can differ in B&W vs colour
Experimenting with colour adjustments
The power of colour to evoke an era
Photographing the moon
A new perspective on deep depth of field
B&W can look more interesting than life
The path of the eye through an image
About me
Home
Coursework
EYV 5 Viewpoint
EYV 5 Exercise 5.3
EYV 5 Exercise 5.2
EYV 5 Exercise 5.1
EYV 4 The language of light
EYV 4 Exercise 4.5
EYV 4 Exercise 4.4
EYV 4 Exercise 4.3
EYV 4 Exercise 4.2
EYV 4 Exercise 4.1
EYV 3 Traces of time
EYV 3 Decisive Moment debate
EYV 3 research point
EYV 3 Exercise 3.3
EYV 3 Exercise 3.2
EYV 3 Exercise 3.1
EYV 2 Imaginative spaces
EYV 2 research point
EYV 2 Exercise 2.7
EYV 2 Exercise 2.6
EYV 2 Exercise 2.5
EYV 2 Exercise 2.4
EYV 2 Exercise 2.3
EYV 2 Exercise 2.2
EYV 2 Exercise 2.1
EYV 1 From that moment onwards
EYV 1 research point
EYV 1 exercise 1.4
EYV 1 exercise 1.3
EYV 1 exercise 1.2
EYV 1 exercise 1.1
Assignments
EYV 5 Photography is simple
EYV 5 Photography is simple assignment
EYV 5 Photography is simple contact sheets
EYV 5 Photography is simple tutor feedback
EYV 4 Languages of light
EYV 4 Languages of light assignment
EYV 4 Languages of light contact sheets
EYV 4 Languages of light tutor feedback
EYV 3 The decisive moment
EYV 3 The decisive moment assignment
EYV 3 The decisive moment contact sheets
EYV 3 The decisive moment tutor feedback
EVY 2 Collecting
EYV 2 Collecting assignment
EYV 2 Collecting contact sheets
EYV 2 Collecting tutor feedback
EYV 1 Square mile
EYV 1 Square mile assignment
EYV 1 Square mile contact sheets
EYV 1 Square mile tutor feedback
Learning log
Publications and exhibitions
2018 Deutsche Börse Prize exhibition
Charlotte Cotton: The Photograph as Contemporary Art
Stephen Shore: The Nature of Photographs
Tides: Photographing the seafront
Photographers and their work
Sally Mann: At Twelve/Immediate Family
Stephen Gill: Hackney Wick
Eddo Hartmann: North Korea (2014–17)
Henri Cartier-Bresson: L’amour tout court
Tony Ray-Jones (1941–1972)
Eadweard Muybridge: the first movie (1878)
Thomas Ruff: the JPEGS debate
Light & shade: Trent Parke & Brian Griffin
Composition: Alexander Rodchenko (1930)
Theory and reflection
Reflection on my progress through EYV
Working up to the EYV 5 assignment
Homages from my archive
Considering contexts
Lessons from Sally Mann’s landscapes
My view of the Decisive Moment debate
Does B&W always reference the past?
The strange world of long exposures
Technical
Lightroom CC image editing tutorials
Focal points can differ in B&W vs colour
Experimenting with colour adjustments
The power of colour to evoke an era
Photographing the moon
A new perspective on deep depth of field
B&W can look more interesting than life
The path of the eye through an image
About me
2018 Deutsche Börse Prize exhibition
01 April 2018
Charlotte Cotton: The Photograph as Contemporary Art
11 February 2018
Stephen Shore: The Nature of Photographs
10 February 2018
Tides: Photographing the seafront
09 February 2018
2018 Deutsche Börse Prize exhibition
01 April 2018
Charlotte Cotton: The Photograph as Contemporary Art
11 February 2018
Stephen Shore: The Nature of Photographs
10 February 2018
Tides: Photographing the seafront
09 February 2018